Image and Platinum Print: Hawaii - The Big Island

Workshop with Don Messec and Jim Hamstra

Image and Platinum Print: Hawaii – The Big Island

April 22-26, 2019

Limited to 6 to maintain a sense of seriousness and personal connection to place.

5 spaces left

Supported by Hahnemühle USA

The Hawaiian Islands, so many to choose from, but the Big Island is the youngest, biggest and most diverse. Yes, warm breezes, beautiful beaches, palm trees are all there, but that’s not why we come here. Sure, photographers like Bret Weston had 2 houses so he could extensively photograph here, but that’s not why either. The Big Island is simply visually diverse and amazing. We will visit a tsunami damaged and jungle overgrown resort, black and green sand beaches, lava fields and volcano craters, a mountain summit above the clouds, grasslands, jungle, cactus, inlets, vistas, trees, flowers, bamboo, birds, cliffs, ancient walls, old churches… The Big Island is a photo-rich environment. And shooting is the most important thing you will want to do while here.

Color welcome. iPhone welcome. Large format welcome. DSLR welcome. Hell, pinhole welcome – might even bring all of these myself. You are not limited to B&W. I’m not one to limit my photographic thinking, that’s what Jim is for. 😉

Every day starts with shooting, new location and some repeats for the best light. If walking a lot is a concern, let Brett Weston’s thought answer your concern, “if it’s more than 30 paces from the vehicle it’s no longer photogenic!” For those of us who need to wander, that works, too. Platinum-Palladium printing is, of course, monochromatic, but That doesn’t limit your work, It just limits the printing I will teach alongside our photo adventures. No matter how you typically approach your images, if you have never made contemporary platinum-palladium prints you will experience an awe when you see your images pop up in the developer.

The Islands I have spent time shooting have all become intimate friends. Once home the process of image workflow and printing always teaches me something I wish I had learned while there. This is the inspiration for my Image and Print workshops; take pictures, work a few up, make few prints, more intimately understand where I am. This will work for you too.

Destination workshops are a favorite of mine. I love sharing places I shoot and to be outdoors with other photographers. The workshop will include heading out early to get into interesting shooting locations with good light. The first day we will go together and get the lay of the land. There will be enough room for every photographer and gear each day. If you brought a companion (a plus) or just prefer to travel alone you can use your own vehicle to follow us or explore at your own, repeat a location you need to spend more time on. Some days we may reprieve from shooting to get lunch, discuss digital workflow, platinum-palladium negative making, and other interesting conversations, returning to shoot during evening light. I will bring everything we need to make digital negatives using PiezoDN and everything to make Platinum Palladium prints.

There is a welcoming-orientation dinner Sunday night before we get started where we will meet and greet, and lay out the week. Two days will be for printing. Spouses and partners are most welcome, the fee is small to tag along. My photo buddy Jim Hamstra will join us. He too has extensive field experience but in places like Syria, Turkey, Australia, Cambodia, and Vietnam. We both live in the Southwestern and together shoot both there and in Hawaii.

There will be a combination of group and personal instruction as seems appropriate. Some will desire being left on their own to shoot, others will want technical input, shot advice or digital workflow considerations. Time will be made for everyone to shoot on their own outside of group shoots. These moments are important interpersonal time to close off the sounds in our heads and connect with these special places. Group shoots will be a matter of selected sites that allow, even promote, wandering off for personal shot selection. At the end of the workshop, your biggest whine will be “why can’t we stay!?” Whose knows, maybe we can!

Gallery of Hawaii Big Island images.

What’s Included

Welcome and orientation dinner.

Transportation for photographers and gear.

Workshop guide by fall with tons of additional information.

Each student will receive enough paper, platinum-palladium mix, and sensitizer for approximately 10-15 5x7.5″ prints. Metals spreader, developer, distilled water, transparency material, specialized negative printing ink sets and other communal needs to make Pt-Pd prints are also included.

The experience is equipped with Epson printer, trays, contact frames, and other needs of a complete and effect field setup plus typically lots of sunshine.

What you provide

  • Lodging. there are several ways to stay in the Hilo area of Hawaii. Recommendations on sidebar.
  • Meals except for Welcome dinner. Plan on snacks, lunch and lots of water for long days of shooting and printing.
  • Digital files in the following formats – PSD, jpg, TIFF, RAW. Many images we print will come from shooting during the workshop, but good idea to bring several, too. For existing images you want to see in platinum bring original files at the original resolution in addition to processed and manipulated versions. It can be useful to go back to an unmodified file to re-interpret the image once you have a print in hand.
  • Digital camera if you have one. There are no processing labs close enough to shoot film for printing during the workshop. All forms of cameras welcome.
  • A thumb drive or other portable read/write media
  • Laptop if you have one. Especially if it has Photoshop and/or Lightroom or ON1 RAW. If you do not have any of this software consider downloading a trial version for the workshop.
  • Large enough luggage and/or box to pack prints, with stiff protector (cardboard or matt board). Paper will be torn down to approximately 7.5x11 and 8x10.” Remember this is on site printing which means it works best with thoughtful limits. 
  • Workshop guide by fall with tons of additional information.

That’s it! Any questions about supplies, please feel free to contact us.

Workshop Itinerary

  • Sunday night we will gather for dinner, drinks, orientation, introductions and socializing. Time and place TBA
  • Monday morning pick up Y’all up and hit the photons. This will be early, morning light is worth loss of sleep!
  • The remaining daily schedule will be set according to weather. Some evenings we will gather for discussions/demos
  • Bring a lunch every day. If it works out that we are in a town during lunch let’s haunt few cafes.
  • Evenings select 2-4 images to process to B&W for printing.
  • Two days will be mostly if not entirely dedicated to shooting.

Reserve your place! Make $600.00 deposit




Travel:

More information and tips in our Hilo Workshop Guide

Flying? look at HIlo or Kona

Housing? We are recommending 3 hotels on a loop drive, Hilo Hawaiian: Reeds Bay, Grand Naniloa.