Take the Plunge: Monotype and Monoprint

Workshop with Catherine Kernan

Take the Plunge

July 30- August 3, 2018

Limited to 8 – 5 left

Disrupt traditional processes and broaden your expectations by exploring the limits of relief printmaking using Akua Intaglio inks. All are water clean up.

Through an intensive exploration of Akua inks and ink modifiers this is an opportunity to become familiar with monotype and monoprint in series and variations. This workshop will cover many approaches to monotype, both traditional and experimental, including: trace transfer, reductive and additive, viscosity rolls and interference. The lack of toxic fumes and extended workability of soy-based inks allow unorthodox moves, and yield many surprises, making their use a liberating experience. 

While exploiting opportunities for “controlled accidents” and “calculated spontaneity”, choices multiply. Learn to mix and modify inks for viscosity, rolling techniques, additive and reductive layers, overprinting, off-set transfers, trace monotype, ghost images, and chine collé. The transparency, color intensity, soap and water clean-up, and lack of toxic fumes make using Akua Intaglio Inks a liberating experience.

Emphasis is on identifying and enhancing the synergy between individual ways of making art and the processes of printmaking. Demonstrations, one-on-one consultation, critiques, and print viewing encourage individual directions and the pursuit of projects in depth. We will ask what, and how, and why, as well as who you are as an artist.

This workshop welcomes artists new to printmaking and Akua Inks, as well as experienced printmakers.

Catherine Kernan is a painter and printmaker. She is co-founder and partner of Mixit Print Studio and is represented by Soprafina Gallery in Boston and Jason McCoy Gallery in New York. She has taught workshops at Anderson Ranch, Art New England, Peregrine Press, Ballinglen Arts Foundation, Oklahoma Arts Institute, Center for Contemporary Printmaking, and MakingArtSafely. Her course teaching includes the School of the Museum of Fine Arts Boston, Wellesley College, the Rhode Island School of Design, Massachusetts College of Art and Design, and Pine Manor College. Residencies include the Ballinglen Arts Foundation, Ireland; Anderson Ranch; MacDowell Colony; and the Virginia Center for the Creative Arts. Her work is in the collections of, among others, the Boston Museum of Fine Arts, Cleveland Museum of Art, Boston Public Library, Grunewald Collection, New York Public Library, Detroit Institute of Art, and the Harvard Art Museums. http://www.catherinekernan.com/


What’s Included

Too much stuff to list! We will have everything Catherine requested.

Of course ink and paper are also included.

MakingArtSafely is a well stocked and tooled studio.

What to Bring

Bring a spirit of investigation and curiosity. A willingness to be surprised is essential.   Bring blocks you have already cut, or bring some wood for cutting. This should be ¼” Shina wood available from McClain’s Printmaking, but Baltic birch ¼” plywood, or whatever you have will do. If you can get the carving started or completed ahead of time, you will have a jumpstart on the workshop. A set of three blocks would be best for maximum effect. They do not have to register exact images to each other but should be the same size blocks and of the same “vocabulary”.

If you plan to cut blocks in the workshop, come with some simple design ideas.  For purposes of learning, a smallish size might be best, perhaps 12” square, or thereabouts, but if you are confident, choose a larger size that will be a bleed print on 22 x 30 paper. Shaped blocks are another option.

Woodcut tools (several u gouges of different sizes) sharpening stone and a strop – quality make a difference.

Brushes and drawing implements for mark making.

carbon paper or transfer paper tissue paper

I took much of Catherine’s list of what to bring and made that our responsibility to have onhand. Even with that I could not get carving tools (TSA issue) covered in a proper way. If checking luggage is too expensive or cumbersome for you by all means please ship your TSA-less-friendly things to us in advance. Allow 7 business days for assured delivery by Monday of the workshop. Shipping is really a great way to travel light in the age of short plane changes which always seem to be on another concourse from the one you arrive.

That’s it! Any questions about supplies, please feel free to contact us.

Workshop Itinerary

  • Monday morning begins with students arriving at the studio between 9:30-10 AM.
  • Daily instruction is 10 AM to 4 PM with the studio open to students between 9:30 AM and 7 PM. Exception is Friday when the workshop ends at 4 PM.
  • Bring a lunch everyday except Tuesday when we go out Dutch for a late lunch
  • Thursday night we host a dinner in our courtyard. Companion welcome.